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The Improvisation Book

By John Abbott
Nick Hern Books £10 99
185 pages plus 96 improvisation cards

Dateline: 9th November, 2007

These days, the word improvisation has been hijacked by comedians such as the stars of Whose Line Is It Anyway? but John Abbott has a purer, truer concept in mind that is far closer to the way in which we behave in real life when confronted with unexpected situations. It is thus the improvisation of jazz or Mike Leigh that he seeks to emulate.

For Mr Abbott, improvisation represents an opportunity for actors to build a structure that they can use to free up their creativity and, at its best, share emotional experiences with an audience. As he says, "It can be exciting; it can be moving; it can be shocking; but whatever emotion it inspires, it is alive. It is life itself".

His book is intended to be a manual for teachers conducting sessions on improvisation. It could also have a far wider market.

Indeed, the actor turned teacher appears to have two goals in mind throughout. First, he realises that everybody has fears and phobias that they need to overcome in order to improvise effectively. Secondly, he wants students to enjoy the experience as they learn how to free themselves from the limitations that might prevent them from becoming effective improvisers and actors.

The book is divided into sixteen short chapters which go into such subjects as "Trusting Yourself", "Being There" "Releasing the Imagination" and "Incidents". These are then supplemented by an appendix on Warm-up Games and Exercises and 96 improvisation cards that are designed to facilitate more complex role plays.

Each chapter is set out using a fixed format. It opens with a chatty introduction relating the relevant technique to real life, most commonly that of Mr Abbott. The author then explains how the experience can be converted into a useful learning tool. From there, he introduces a series of exercises that lead into more detailed improvisations and, to conclude, offers a debriefing and a rationale. Each chapter then ends with a session debriefing.

The improvisation cards are seemingly Mr Abbott's own invention. They are divided into scenario cards that are further split into simple, complex and extreme; and character cards. Between them, these should generate hours of fun but always with a serious underlying purpose. How would you like to be part of a group that observes a meeting between a superhero and an evil villain who are respectively a servile person and a sycophant - or even worse, the servile superhero himself?

The book distils a lifetime of experience and is set out logically and practically so that would-be actors can build skills from the very simple to the remarkably complex. By the end, it should stand its readers and particularly their pupils in good stead whenever the latter are confronted by an awkward situation or asked to improvise on stage or set.

With a different title, it is possible that The Improvisation Book might also find a much wider and more lucrative market. These days, acting techniques bleed into the world of business and those who train stolid businessman using role play would do well to consider investing in this valuable volume.

Philip Fisher

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©Peter Lathan 2007