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About Churchill: the Playwright & the Work

By Philip Roberts
Faber and Faber £12 99
304 pages

Dateline: 19th October, 2008

Caryl Churchill is proving popular as the Christmas book bonanza gathers pace. This book can act as a welcome complement to the fourth volume of her Collected Plays just published by Nick Hern.

About Churchill is the latest in a series of books analysing the work of contemporary playwrights, who have today included David Hare, Samuel Beckett, Tom Stoppard and Harold Pinter.

Philip Roberts proves to be the ideal author for this subject with a knack of conveying the essence of a difficult playwright's works, as well as teasing out sometimes unusual facts about their productions.

In some ways, this book covers the same ground twice. First, in chronological order, Roberts summarises every one of Caryl Churchill's plays. Then he goes back to the start and publishes short interviews with two or three people about each of those plays. These include Churchill herself, directors, actors, designers and others with an interest in a particular work.

By the end, the reader can reasonably claim to have as good a grasp as is possible of the large canon of a prolific writer.

This book might be one of the most welcome in the series in that it is unlikely that there has ever been a playwright whose work is more diverse than this lady. Caryl Churchill actively sets out to change not only subject matter but form from play to play and has never feared critical or public opprobrium.

The experimentation can be wild but is frequently entertaining and often adds a new level of meaning to whatever topic might be under consideration.

Indeed, dance, movement and opera have also intruded on a career that has more usually used the straight play form to explore topic on issues from tangential viewpoints.

Over the years, the playwright has addressed many topics, showing great favour for the under classes and women and usually taking a left-wing stance to the extent that politics become obvious. Her collaborations with Max Stafford Clark at the Royal Court and with Both Joint Stock and Out Of Joint have proved to be fruitful but her enduring legacy is far wider than this body of largely devised plays.

This book is very welcome and as it should, makes one want to see revivals of several Churchill classics. While Top Girls and Cloud Nine seemed to come back on a fairly regular basis, wouldn't it be great to see Serious Money as the 21st-century's first recession takes hold and another chance to watch a personal favourite, Blue Heart, would also be most welcome.

Philip Fisher

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©Peter Lathan 2008