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Review of the Year 2007 - The London Stage

Dateline: 23rd December, 2007

2007 might well be seen as the year that the musical began to encroach further into the West End, possibly on an inexorable journey that will eventually leave London like Broadway awash with musicals and very short on straight plays.

There is still hope though, in that the National Theatre under Nick Hytner, the RSC and the Barbican are more willing to support straight programming, as are many of the best new writing theatres such as the Royal Court, the Bush, Soho and Hampstead.

Although it is not apparent that anyone notices, I will continue to nominate the remarkably informal "Philips", selections of the very finest theatrical productions and performances for which there are no prizes other than this recognition. These are selected from all that I have seen, not just London productions.

  • Best New Play - tHe dYsFUnCKshOnalZ by Mike Packer at the Bush Theatre
  • Best Revival - Much Ado About Nothing by William Shakespeare in the Olivier Theatre
  • Best Musical - Hairspray Book by Mark O'Donnell and Thomas Meehan, music by Mark Shaiman, lyrics by Scott Wittman and Mark Shaiman at the Shaftesbury Theatre
  • Best Actor - Charles Dance in Shadowlands at Wyndham's
  • Best Actress - Zoë Wanamaker in Much Ado About Nothing in the Olivier Theatre
  • Best Director - Nicholas Hytner for Much Ado About Nothing in the Olivier Theatre
  • Best New Writer - Mike Bartlett for My Child at the Royal Court
  • Best Newcomer - Leanne Jones in Hairspray
  • Best Designer - William Dudley - The Giant at Hampstead
  • Best Edinburgh Production - Subway by Vanishing Point at the Traverse Theatre
  • Best Theatre Book - State of the Nation by Michael Billington published by Faber and Faber
  • Best Theatre-linked DVD - The History Boys by Alan Bennett

Many congratulations to these superlative winners and thanks for all of the pleasure that they have given to theatre lovers throughout the year.

Finally, I append the usual apology to those that have inadvertently been missed out of the overview. It is probably just the result of tiredness at the end of a long but rewarding year of theatre rather than any attempt to slight.

In order to make what is otherwise a very long article more readable, it is divided up into the following categories: --

1. The National, the RSC and the Barbican
2. West End Plays
3. West End Musicals
4. Other Major Theatres
5. Smaller Theatres

Philip Fisher

Articles from 2007
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©Peter Lathan 2007