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Dateline: 10th February, 2008

Centre for Performance Research logo

ACW Cuts Abertystwyth's CPR

The Centre for Performance Research, based at Aberystwyth University, is to have its funding withdrawn by the Arts Council of Wales (ACW).

The CPR is, its website says, CPR is a multi-faceted organisation based in West Wales which produces and presents innovation in theatre and performance and develops understanding, practice and knowledge through participation, training, international exchange and dissemination. It organises the International Giving Voice Festival which brings to Wales practitioners from all over the world, to share skills and methods and celebrate the art of the voice. The Fetival is, it says," a key ingredient of CPR’s programmes of workshops, performances and events that provide a special resource for both the profession and audiences in Wales."

The Festival runs from 27th March to 1st April.

A statement from the CPR on the cut reads:

Instead (of revenue funding which will be cut from July), the Arts Council of Wales (ACW) is offering CPR the opportunity to compete for project funding on an occasional basis without acknowledging that the lack of ACW revenue support could compromise CPR’s relationship and partnership funding with Aberystwyth University. It also inevitably limits the work that CPR can do, and jeopardises the infrastructure that allows CPR to develop and promote an exciting programme with the lead time that international work requires; in the field of labour relations, a proposal as unrealistic as this could be construed as ‘constructive dismissal’.

It is difficult to understand the logic of ACW’s decision in the context of its recently published plan to establish an English-language National Theatre for Wales on a federal basis, for which it desires innovation, an international perspective and a rigorous training policy. In terms of knowledge, experience and contacts developed over thirty years of work, CPR is extremely well-placed to foster international connections and provide research, development and training that utilises the skills of the best theatre practitioners available from across the world.

However, arguments of merit, artistic or otherwise, would appear to be disallowed as grounds for appeal within the formal terms of the ACW’s appeals procedure, wherein whether there is a case for appeal is, in the first instance, judged solely by ACW Chief Executive (currently Peter Tyndall), who was of course involved in the original decision-making process.

Despite this, in preparing for the appeal, at this extremely difficult and precarious moment for CPR, we would greatly welcome hearing from those wishing to write in support, encouragement and advocacy of the value and integrity of our work - past, present and future.

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©Peter Lathan 2008