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Dateline: 30th March, 2003 Nunn Looks Back 112 major awards, including 42 Oliviers, in the last five years: that's the record that Trevor Nunn leaves behind him at the National Theatre. He is justifiably proud of that record and highlights it in an article in last week's Sunday Times In many ways the article is an apologia pro vita sua - a justification of his time in chage of the RNT - and he tackles his critics head-on. He leaves behind him, he says, a National Theatre which
He has aimed, he said, to serve "as many audiences as possible, popular and esoteric." No single group, he says, can claim ownership of the theatre and, in proof, he summarises the programme presented during his tenure:
He denies the accusation of taking a "populist" approach to musicals, instancing the success of Bernstein's Candide and Matthew Bourne's Play Without Words. He is proud, too, of his success in attracting a younger audience: during the Transformation season more than half the audience was under 35. Other highlights of his tenure, he says, were the £10 nights, the outdoor theatre festival (Watch This Space), the internal alterations (including the creation of The Loft), the Studio, and the fact that he "put his head on the block", directing no less than 21 productions. "There can be no justification," he ends, "for a highly subsidised National Theatre unless it is clearly and, by common consent, the flagship theatre organisation of this country. That is what I inherited, and that unassailable status is what I believe I am passing on. I wish my friends and colleagues who take command of the next stage of the voyage a period free of squalls, and all the luck in the world." |A|B|C|D|E|F|G|H|I|J|K|L|M|N|O|P|Q|R|S|T|U|V|W|X|Y|Z| Please note that all three Archive indices are very long and will therefore take some time to download.
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