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Dateline: 26th October, 2005
A two CD set, The Essential Shakespeare Live, featuring scenes from Royal Shakespeare Company performances from 1959 to 2003, recorded by the British Library Sound Archive and personally selected by RSC Associate Director Gregory Doran, is made commercially available for the first time on Wednesday 26 October 2005.
The CDs cover a period of over four decades of Shakespeare performances including the earliest live Royal Shakespeare Company recording held by the British Library Sound Archive - Peter Halls Coriolanus with Laurence Olivier at Stratford-upon-Avon, in April, 1959, recorded by then stage manager Hal Rogers - Paul Scofield in an excerpt from Peter Brooks King Lear at the Aldwych Theatre in 1964 and Judi Dench in Alls Well that Ends Well in 2002. Other celebrated productions included in the collection are the now legendary Wars of the Roses from 1963 and John Bartons Richard II with Richard Pasco and Ian Richardson. Actors represented include Peggy Ashcroft, Alan Howard, Derek Jacobi, Ian McKellen, Alan Rickman, Antony Sher, Donald Sinden, Robert Stephens, Patrick Stewart, Janet Suzman, David Oyelowo and David Warner.
Gregory Doran enjoyed the challenge of listening to the archive recordings and putting the CDs together: "I felt a sense of privilege at being able to listen to performances I had heard so much about, but never imagined would be able to experience. Theatre is a transitory art. That is its essence. It vanishes into thin air. But here it has been snatched back. The British Library has been recording Royal Shakespeare Company productions live in performance for nearly five decades. The ones I have chosen are just a few extracts from some of my personal favourites."
All of the recordings needed some treatment or processing to make them suitable for publication. In the words of Nigel Bewley, British Library Sound Archive technician, "To remove all of the apparent blemishes or unwanted artefacts would be impossible, and even if it were it would be undesirable. When making a recording of a live performance we consider our microphones to be the ears of a member of the audience sitting 'in the best seat in the house' and we document the entire event, including the performances of the actors and musicians as well as the audience reaction. To remove or reduce every vestige of an audiences presence would have resulted in something anodyne or sterile." Dame Judi Dench (Countess Rossillion in Gregory Dorans Alls Well that Ends Well 2003) said, "Gregory Doran has put together a simply sensational series of extracts. It's incredibly moving to hear some of our greatest actors performing Shakespeare." David Oyelowo (King Henry VI in RSC Artistic Director Michael Boyds Henry VI Part 3 - 2001) adds, "There is joy and sadness in the fact that, as a theatre actor, your toil on that stage will live on only in people's hearts and minds. Not only do I feel honoured to be heard alongside the actors who inspired me to become an actor, but I am also excited at the prospect of hearing what all the fuss was about."
According to Sir Antony Sher (Richard III in Bill Alexanders Richard III 1985), "They say that part of the magic of Theatre is that it is transitory, it exits in the present, and then it is gone forever. But there is also magic in discovering that we can retrieve some of it, hear some of it again. I have found it amazing to listen to certain extracts from this CD like Oliviers Coriolanus and Scofields Lear. Performances that I missed and thought would never experience. And now I can. Its like uncovering hidden treasure. Thrilling." >> Full
track listing Please note that all three Archive indices are very long and will therefore take some time to download.
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