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Dateline: 15th July, 2004

Royal SDhakespeare Company logo
Michael Boyd
Toby Stephens as hamlet in the RSC production
RSC Romeo and Juliet
Corin Redgrave as King Lear
RSC Macbeth
The Albery Theatre
The Soho Theatre

Albery the Venue for Six Month RSC London Season

£5 Tickets for Young People
Soho to Host New Writing Festival

The RSC has launched a new initiative to give young people access to the theatre with £5 tickets for all performances in its forthcoming London season at the Albery Theatre. Fifty £5 tickets, including the best seats in the house, will be available to young people aged 16 to 25 for each of the 150 performances in the six-month season.

The young people’s tickets initiative was announced today (15th July, 2004) at the launch of the RSC’s 2004/5 London Season, which will run at the Albery Theatre from 18th November 2004 to 7th May 2005. Around the same length as previous RSC Barbican seasons, this will be the first time the Company has played an extended season in the capital since April 2002.

In addition to the five productions, the season will include an education and outreach programme, including platform debates, behind-the-scenes showcases and a programme of public ‘Audience with’ sessions featuring acclaimed RSC practitioners and alumni.

All four main house productions from the Stratford Festival Season of Shakespearean Tragedies will transfer to the Albery in a deal struck by the Company with the Ambassador Theatre Group who own and manage the venue. A season of new plays produced by the same company of actors transfers to the Soho Theatre in March 2005.

Artistic Director, Michael Boyd said, “It’s been my ambition since I took over at the RSC, for London audiences to enjoy a season of our work and not just those productions that commercial producers are willing to take a risk on. The Albery’s a favourite theatre among West End audiences and artists, but the important thing about this season is that we’re bringing productions to London under our own control. These are not co-productions: this is a six month RSC season in the West End that proves we’re serious again about a regular and sustained presence in the capital.

“I think it’s absolutely right that we’ll be performing our work in the heart of one of the world’s great entertainment capitals. As a popular dramatist, Shakespeare would understand that. It’s crucial that we use this opportunity to deepen and extend our audience. That’s why the events, education work and young people’s tickets are an essential part of the RSC’s presence in London.”

The season at the Albery Theatre has been masterminded by the RSC’s new Executive Director, Vikki Heywood. It builds on a successful relationship between the RSC and theatre owners and producers, the Ambassador Theatre Group. The Company worked most recently with ATG on Gregory Doran’s production of Othello, presented with Thelma Holt and Hori Pro Inc, and currently playing a sell-out run at the newly-refurbished Trafalgar Studios (formerly the Whitehall Theatre). Productions from the RSC’s first New Work Festival will transfer to the Soho Theatre in Dean Street, one of London’s most exciting venues for new writing.

Vikki Heywood, Executive Director said, “Putting the RSC’s finances in order over the past 12 months means we can again commit to a regular London season. In a year we’ve managed to reduce the Company’s deficit from £2.8 million to under £½ million. That means we’re able to regain control of how we present the Stratford Festival Season in London.

“We know our audiences want to know well in advance where we’re playing in London and feel they’re part of an extended season that includes events and education work. Basically, it’s that feeling that there’s an RSC flag outside a London theatre for a good chunk of the year. Now we’re in a position to deliver that.”

Howard Panter, Co-founder and Managing Director, Ambassador Theatre Group added, “The Ambassador Theatre Group (ATG) is delighted to have concluded this exciting new arrangement with the RSC at the Albery, building on the recent successful relationship and season of the RSC’s Othello at ATG’s new Trafalgar Studios.”

The new young people’s tickets initiative builds on the success of the RSC’s Family Shows in building new audiences for theatre. Over 250,000 theatre first timers have attended family shows in London and Stratford since the productions began in 1999. Around 20 per cent have subsequently booked for Shakespeare productions with the Company.

This new initiative targets young people who are beginning to make their own decisions about how they spend their spare time. Currently under-represented in the RSC’s existing audiences, the initiative aims to attract under-25s who are beginning to develop their own tastes and leisure habits. Half the tickets will be sold to young people in advance, with the remaining 25 released on the day, reflecting the last minute nature of many young people’s entertainment decisions. The tickets for every performance will be drawn from a range of prices, across the auditorium.

In addition, a number of £15 tickets will be available for key public sector workers, including teachers and nurses, for every matinee performance and for every Monday evening performance. Schools and college groups will be able to buy RSC schools tickets at £10 for all shows and family tickets (up to four children half price with every full-price ticket) will also apply for the Albery season.

RSC Associate Producer, Thelma Holt CBE said, “It’s been no secret that, in spite of proudly bringing with Bill Kenwright so many RSC productions to London (the five Jacobean plays, The Taming of the Shrew, The Tamer Tamed and, of course the magnificent All’s Well That Ends Well with Judi Dench), we have been merely marking time until the RSC could return to London, present their own work and not be in bed with commercial producers – including me.

“Wearing my hat as RSC Associate Producer it gives me considerable joy that my colleagues have been able to affect this in such a very short time. I know that London theatregoers will welcome the Company back with open arms.”

The season opens with four of Shakespeare’s greatest tragedies – Hamlet, Romeo and Juliet, King Lear and Macbeth, followed by Vanessa Redgrave playing the title role in Euripides’ Hecuba.

The new work season at the Soho theatre includes Tynan by Richard Nelson and Colin Chambers, Midwinter by Zinnie Harris, Poor Beck by Joanna Laurens as well as The Pilate Workshop devised by Michael Boyd with the acting company.

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©Peter Lathan 2004