British Theatre Guide logo
 
News

 

Links

Articles

News

Reviews

Amateur Theatre

Contact

Other Resources

Bookstore

Forum

Search the Site

 

Dateline: 26th August, 2005

Kessica Blank and Erik Jenson
Erik Jensen and Jessica Blank, writers of The Exonerated

Human Rights Award for The Exonerated

Amnesty International today (Friday 26th August) announced the winner of the 2005 U Win Tin Freedom of Expression Award. Judges were captivated by The Exonerated, Erik Jensen and Jessica Blank’s play at the Queen’s Hall, which uses extracts of documentary evidence to illustrate six interweaving accounts of miscarriages of justice.

Sonny Jacobs,who was at the centre of the production, spent sixteen years on death row before being exonerated. She was presented with the award by festival impresario Ricky Demarco at the Scotsman Fringe Awards Ceremony this morning.

The judging panel for the award, which recognises excellent theatre raising human rights issues, consisted of David Taylor (Head of Drama, Scottish arts Council), Joyce McMillan (chief theatre critic, The Scotsman), Neil Cooper (chief theatre critic, The Herald) Mark Fisher (theatre critic, Scotland on Sunday) and Stephanie Knight (Director of the RBS Centre for Community Arts Research and Practice, QMUC). Commenting on their decision, the panel issued the following statement:

“The Exonerated was tremendously powerful, the clear winner.

"This beautifully crafted production is delivered in an astonishing ensemble performance, in which the static staging offers a poignant sense of stillness.

"This is drama for true reclamation. Sonny Jacobs’ voice is very clear in terms of forgiveness and universal reconciliation. There remains at least a grain of hope that if people are determined to fight, the existing US criminal justice system can be moderated.”

Rosemary Burnett, Programme Director, Scotland of Amnesty International said, “We are delighted that such a stunning production has won the Freedom of Expression Award. The Exonerated emphasises that the judicial system in the USA discriminates against those who are poor and those who are black. The production points out that even when a person has been proved to be innocent, they have often been kept on Death Row through sheer vindictiveness. Amnesty in Scotland is currently campaigning for a fair retrial in the case of Kenny Richey, the Scot on Death Row in the USA, and the parallels with his case are striking.

“We were very impressed with the overall standard of the four shortlisted productions which between them addressed the themes of violence against women, torture, the death penalty and the war on Iraq. These shows looked beyond the surface of human rights issues as they are often presented in the media.”

The winner was chosen by the judging panel from a shortlist that also included:

Guardians (Mahwaff, Pleasance Courtyard): Peter Morris’s two-hander exploring the truth behind the shocking Abu Ghraib prison photos.

The judges said, “Guardians offers a challenging perspective on abuse in its examination of people in positions of power. It attempts to place Lynndie England’s notoriety in the context of a culture that feeds off that notoriety as much as it condemns her actions. Peter Morris’ well-crafted play explores our complicity as viewers and asks where our sympathies should lie. Myanna Buring demonstrated fantastic voicework in the role of England.”

My Pyramids! Or: How I Got Fired From the Dairy Queen and Ended Up in Abu Ghraib, By PFC. Lynndie England (Volcano, Traverse Theatre): Judith Thompson’s gripping one-woman play.

The Judges said, “My Pyramids is an exploration into the landscape of abuse justified through imagination and fantasy. Judith Thompson’s play succeeds in bringing the roles of victim and abuser together, putting a human face on the horrific crimes that were committed in Abu Ghraib.”

Lady in Red (Certain Curtain, Venue 13) Claire Moore’s exploration of the terrifying psychological effects of domestic violence.

The judges said, “Claire Moore delivers a moving performance in a production that touches a lot of major issues. The message of Lady in Red is to bring home the immediacy and all pervasive nature of violence against women.”

Philip Fisher interviewed Jessica Blank and Erik Jensen in Edinburgh.

|A|B|C|D|E|F|G|H|I|J|K|L|M|N|O|P|Q|R|S|T|U|V|W|X|Y|Z|

News Archive A-L
News Archive M-Z
Production News Archive

Please note that all three Archive indices are very long and will therefore take some time to download.

 

 

©Peter Lathan 2005