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Academic Works
Although the British Theatre Guide is aimed at the theatregoer rather
than the academic, we do have a number of academics among our regular
visitors and even on the staff.
There is a place, we feel, for academic writing on the site, and so
opened this new section in August 2003.
Because academic work, by its nature, is longer than general writing,
we have decided not to store some work as PDF files. You will need the
Adobe Acrobat Reader to open these files. It can be obtained here.
If Acrobat Reader is installed on your computer, clicking on the link
to the piece of work should open it. However we suggest that it would
be better to download the file by right clicking and choosing "Save
target as" (IE Explorer), "Save link target as" (Netscape)
or "Quick download" (Opera).
We invite academics who would like to make their theatre research available
to a wider public to contact
us!
Realism,
Feminism and the Northern Irish Women Playwrights of the 80s
(PDF)
Subsequent to the publication of Kate Millets Sexual Politics
in 1968 female academics concentrated increasingly on deconstructing
patriarchal representations of femininity in literature. In Britain
in 1976 Michelene Wandor published Understudies critiquing
the representation of female characters in drama, focusing in particular
on Look Back in Anger. At the same time actresses started to
form womens companies, usually fringe groups working in a non-naturalistic
vein. The eighties became the decade of the women playwrights: Caryl
Churchill, Sue Townsend, Sarah Daniels, Pam Gems, to name but a few.
The main thrust of the subject-matter was the oppression of women
by patriarchal attitudes. And Northern Ireland was no exception: Anne
Devlin and Christina Reid put women centre-stage.
Jackie Fletcher (2001)
Tenniel's
Punch Cartoons and the Theatre
In Tenniel's political cartoons, the foremost of all performers are
the politicians, appearing as theatre managers, actors, fairground,
circus and pantomime performers, conjurors, jugglers, magicians and
musicians. Gill Stoker looks at some of these theatre-related
cartoons.
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