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Fringe 2005 Reviews (25)

Breath(e)
By Steve Lucas
Traverse 7, Grindlay Street
**

Breath(e), devised by Canadian company Theatre 2.0, advertises itself as "a play without words or actors". It is far closer to an artistic installation than a normal theatrical experience and would sit better in a modern art gallery than a theatre.

The rehearsal room of the Royal Lyceum Theatre has been converted into a 27 seat space for these hourly 35 minute shows.

After a period in complete darkness with only a constant heartbeat to invade the senses, the curtain slowly rises on a kind of primordial soup created with dry ice and clever lighting. The effect might be similar to that of arriving on a far distant planet or possibly our own, long before man came along.

Over the next half hour, the soup continues to swirl around, gradually receding until eventually, the aural effect introduces the breath of the title and at the last, a ray of light appears, reflected in liquid beneath.

Breath(e) is an unusual and sometimes beautiful aural and visual presentation that can be soothing. Its message is clouded but could relate to the Creation. Whether it succeeds in living up to the hype (Atom Egoyan was "mesmerised ... into an altered state of consciousness") may be a subject of debate.

Philip Fisher

Guided Tour
By Peter Reder
Traverse 5, McEwan Hall
****

What starts as a guided tour of a venerable old Edinburgh institution develops into a trip to a completely different location.

The McEwan Hall is a very impressive building that was built as part of Edinburgh University in the period from 1889 to 1897. Now it is used for ceremonial occasions such as graduations and little else.

Our guide, the laid-back Peter Reder, presents a potted history of the building and its endowment by a brewing millionaire. After quarter of an hour, he explains that this wasn't part of the "show" and that the real thing is only now about to commence.

His chosen subject is the nature of and relationship between memory, history and their modern cousin, heritage.

Starting outside the building's lavatories, the tour travels no further than basement level, as we are introduced to William McEwan and his peer group and then an obscure and unknown French artist. It eventually dawns on the punters that at least part of what they are being told and shown may lack true historical authenticity.

By the time that Reder reaches a slideshow of his family in the seventies, the McEwans and their edifice are long forgotten. The last ten minutes are spent watching a video that distorts but reminds viewers of the previous hour's tour.

This is a most unusual piece of theatre, performance art or touring depending upon your taste. Whatever it is, Guided Tour does achieve its announced Proustian goal of making the audience re-evaluate the nature of memory and history and the relationship between the two.

Philip Fisher

The Coming of Gowf
PG Wodehouse
Gilded Balloon Teviot
***

This is a surefire hit, as it is bound to appeal to golfers everywhere. The show takes a number of PG Wodehouse's golf stories and melds them into an hour and a quarter of dramatic fun.

The staging is almost inevitably uneven but the finest stories tend to involve ladies. The best is the challenge for the hand of the gorgeous Miss Trivett, which consists of a single hole that is 16 miles long. A shame that nobody told her about it.

Close behind is the "gel" who attracted one of the many chinless wonder by misleading him into believing that her champion status was on the golf links rather than the croquet lawn.

The feel is authentic with plus fours and even hickory-shafted clubs abounding. The audience also gets involved to the extent of ducking as balls are hit amongst them. Luckily these are softer than the norm.

The whole cast has a tendency towards shouting and over-acting but are held together well by wily old Wayne "Pickles" Norman, who can also give a few useful tips to high handicappers.

As one would expect from Wodehouse, there are a lot of rather tedious upper class types depicted and this can get a little wearing. Overall, this will prove a golfer's delight that will also appeal to the uninitiated, though they may need to read the programme's glossary before they tee off.

Philip Fisher

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©Peter Lathan 2005