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Fringe 2008 Reviews (97)

Forgotten
Fishamble: The New Play in Association with Pat Kinevane
Dance Base - National Centre for Dance
****

The first thing that will captivate you about Forgotten is the wonderful space it is performed in. Fishamble use the central studio at Dance Base on the Grassmarket which has an entirely glass roof leaving the audience and performer in natural light throughout, with a fantastic view of the castle. However this is not the picture that will engross you for long as the single performer, Pat Kinevane, sweeps into the space and fascinates from the start. Using Kabuki inspired dance to move between four elderly characters Kinevane shows us Flor, Dora, Gustus and Eucharia, all aged between 80 and 100 years old and living in separate retirement homes. Flor spits and cleans the floor while complaining of the dirty nurses; Dora loves her Saturdays out going round all the make up counters and using the tester products for free; Gustus suffers as his wayward daughter neglects him on his 94th birthday and the aristocratic Eucharia remembers her past loves. Each one is 'feeling forgotten' although they reminisce about their past and reflect on their present with both charm and wicked humour that it is impossible not take Kinevane's performances into your heart. Entering in a Kimono, which he takes off to reveal ripped pyjama bottoms Kinevane ends the performance with a painted white face and comments that the Japanese 'treat their elderly with the utmost respect' unlike our Western society. Flor bitterly thinks about her funeral and suspects that not only will there be crocodile tears being shed but 'crocodile snot' too.

This is an engrossing show with perfectly embodied characters woven into each other making a powerful comment on our attitude towards the elderly here in Britain. Although at times some of Kinevane's biting quips get lost on the audience because we are still laughing at his last 'outrageous' comment and the character of Gustus lacks the vitality of the female characters, this is an original and fascinating piece of theatre. With such a unique setting and thought provoking subject matter Kinevane's moving performance is not to be missed.

Cecily Boys

Eco-Friendly Jihad
Abie Phibin Bowman
Underbelly
**(*)

Last year, Abraham Bowman made some good comedy headway with his controversial Jesus: The Guatanemo Years. Now back with Eco-Friendly Jihad he's taking the moral stance with the destruction of the natural world and tying that in with the concept of western capitalism. Sadly the result is a hit and miss affair: while his comic asides are very funny and his turn of phrase amusing, they remain just that, asides. The meat of his stage-time is taken up with a long meandering and ultimately ridiculous story of his attempted seduction of an Asian woman and the relentless fact info-drops strewn throughout his material.

While the whole is a diverting and interesting experience, there is a real lack of structure to the show and as a result makesit come across as unfinished and unpolished.

Graeme Strachan

Office Party
Underbelly Productions and Assembly
Udderbelly's Pasture, Appleton Tower
**

You will either love or hate Office Party. It is a popular entertainment for the reality TV, hen/stag party types who like their fun in short spurts, liberally aided by alcohol.

On arrival the punters are allocated to groups: executives, accounts, marketing etc. They are then separated and the execs get a stand-up routine from American CEO and Meatloaf lookalike, Skip.

It quickly becomes apparent that these people specialise in humiliation and coercion so if you prefer a quiet life, stay away.

Back together, the remainder of the two hour performance followed by a disco consists of a series of cabaret acts, audience participation and sing- and dance-alongs.

The general tone is sleazy, with no fewer than three strip sessions, one featuring members of the public (or that is what they appeared to be). There are also sub-5 minute sets from drag star Tina C. and the almost Spanish and much more impressive Ursula Martinez.

The finest performances were probably both gymnastic and loosely connected to the evening's theme, first as a cake stuffing contest led the one female competitor to throw a wobbly and then descend from the ceiling on a ribbon before providing a brief but delightful aerial display. Then, towards the end, a female staff member had a tantrum and felt obliged to pole dance with athletic grace.

Office Party will always do well with its mix of booze, cabaret and group activity. It could be a great deal better but fans will believe that they have had a great night out - once the hangover dissipates.

Philip Fisher

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©Peter Lathan 2008