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Fringe 2009 Reviews (3)

Etch A Sketch
The Oxford Revue
Underbelly
***

Eight energetic performers rush from sketch to 'etch a sketch', and the characters are lightly drawn and situations scribbled down. We find Harry Potter being told he's 'different' and invited to Private School, advice on Religion, a Funeral Planning Song and the social competition of a lady and her maid. Satirising social hierarchy is never far from their minds. Stand out piece How Far Is Too Far?, performed by Adam Reeve, is worth seeing alone, and another excellent performer, Ollie Mann, should also be mentioned. A playful cast and an amusing run through the easily referenced comedy of the day, fun to see.

Cecily Boys

Still Breathing
2FaCeD DaNcE Company
Zoo Southside
****

2FaCeD DaNcE Company deliver 'explosive abstract breaking... exploring the space we occupy'. The eight spectacularly muscled performers hit the stage with a fierce masculine energy, showing off their forceful skills with the menacing presence of a hunting pack of wolves caught in a cross beam of light. Using the six positioned lights at the side of the stage, the space is slowly decreased until all of that powerful presence is concentrated into a single group of beating movers. Choreographer Tamsin Fitzgerald adds a nice touch to the mix with some of the dancers taking to the top of the pedestalled lights, making them into hawk-eyed observers of the action. This confrontational dance piece delivers a relentless pace with a cast reaching for the sky air but trapped by the earth-bound, crowded sensory body.

Cecily Boys

Chauntecleer and Pertelotte (A Beasty-Babel-Fable)
By Dougie Blaxland
Live Wire Theatre Company
Zoo Southside
****

Rude, lewd and great fun to see, Chauntecleer and Pertelotte will get your festival juices flowing. Inspired by The Nun's Priest's Tale from The Canterbury Tales, two actors inhabit all the roles of a saucy farmyard romp, where the Proud Cock (literally) Chauntecleer gets his comeuppance from his clever wife Pertelotte, with many a lusty tussle in the hay bales along the way. With a tour of accents from France to Aberdeen, actors Tim Dewberry and Abigail Unwin-Smith make a deliciously physical and frank, sex-fueled pair to take us on the journey, guided by author Dougie Blaxland's naughty-but-nice, twisting, rippling rhymes. The uninspired design is the only downside, infantalising a piece that establishes itself as titillatingly playful enough without needing to look more 'Children's Theatre' than 'Filthy Theatre' . Nevertheless, extremely enjoyable, fruity furtive festival fun and one to see to tickle both your ribs and your... imagination.

Cecily Boys

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©Peter Lathan 2009