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Fringe 2009 Reviews (60)

Nun the Wiser
By Triona Adams
Gilded Balloon Teviot
****

Ten years ago, in her mid-20s, Triona Adams was a theatrical agent, enjoying hobnobbing with actors and attending first nights.

For no obvious reason, she spent a weekend at a Benedictine convent and within weeks, this wickedly witty lady was a postulant or trainee nun.

With the assistance of Owen Lewis, she has put together the story of a year spent with a group of nuns, average age 70 or more. Her comic timing is never off and while the story sometimes stretches credulity, by the end, her rapt audience has had "the nun experience" and knows what the closeted life is like.

The characters are a real mix from a bombastic Mother Superior who sounds like Donald Sinden, through a mix of ageing cripples and obsessives to complete eccentrics.

By the end, you can fully understand why an older, wiser Miss Adams gave up her prospective habit for the very different habits more common in artistic circles. However the full house that the former nun deserves each day will be grateful that she shared her year, as it makes for fine theatre.

Philip Fisher

From Sixties To Sixties
Anna Hillis/PBH's Free Fringe
Jenny Ha's
*

Anna Hillis presents a small slice of life looking back at her sexual self-discovery during the 1960's done with monologues and 60's songs.

Ms. Hillis has painted her face in an extreme of the make-up style of the sixties (sort of, but has hair cut and red-dyed in a more contemporary fashion). Her few props, the basic electric piano, and flagging voice only reinforce the weakness of the production.

Had Ms. Hillis abandoned the "acting" for a simple talk-to-the-audience style of presentation, this might have been more endearing and interesting, even with the current material. The one real moment in the performance was a break in her monologue to address an audience member about the young girl that she had brought with her and the appropriateness of the material.

This is a good idea which has not found fertile ground. Sadly, this production needs a strong director's hand, a dramaturg and more self-reflective material. No one gets out of their sexual discovery without scars. There are so many cabaret/comedians out there, the competition will easily bump this one off the radar.

Catherine Lamm

Marcus Brigstocke: God Collar
Off The Kerb Productions
Assembly @ Assembly Hall
*****

Marcus Brigstocke has a god shaped hole in his life. He's tried to fill it with reading, with talking to people, with alcohol, with cake and even with messing up the shoes at a mosque. He doesn't agree that religion makes you special and he certainly doesn't enjoy Richard Dawkin's smug tone.

With Brigstocke's brilliant style, this exceptional comedian presents his impassioned arguments on religion with all the blistering wit you would expect. Whether commenting on London buses, chastising i-phone users or looking at life with his two young children, this is a sparkling observation on his own state of belief and, ultimately, a reflection of those around him as well. For all his caustic wit, Brigstocke's articulate and insightful stand-up sends you away with more to think about than just his award winning writing. See this now for exceptional, outstanding and provocative comedy.

Sacha Voit

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©Peter Lathan 2009