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Hamlet
By William Shakespeare
Wales Theatre Company
New Theatre, Cardiff, and touring
Review by Michael Kelligan(2005)
There is no wisdom in any of the characters in Shakespeares Hamlet.
Although everyone else has convinced themselves, for their own convenience,
that Hamlet is mad, he is quite the most sane and logical thinker in
the play. Tragically, by the end of this series of desperate events,
his mind has become so befuddled with grief, pain and anger, he is no
longer able to behave with the cool logic the situation requires. Cruel
death surrounds him and, as he himself dies, he hands his kingdom over
to the invading neighbouring state, once routed by his own father, whose
own death was the catalyst to the action of the drama.
The rottenness in the state of Denmark is as rotten today as it was
some 500 hundred years ago when the play was first written. Michael
Bogdanovs Hamlet is very much a play of today, clearly
achieving one of his Wales Theatre Companys aims of producing
high quality large-scale theatre for the South Wales Community complementing
the work of Terry Hands' Clwyd Theatr Cymru in the North. It is to Bogdanovs
very great credit that he is able to give such a first class production
with the limited resources that his company is now receiving.
The sixteenth century battlements of Elsinore Castle have been replaced
with a state of the art twenty-first century military base with all
the electronic surveillance gear that goes with it. A searchlight dazzles
the audience as it takes its seats in the packed auditorium, increasing
the eagerness and expectation for the greatest play in the world. Life
is something we must all value, one and others lives, not just
our own. This is a play about death and destruction and Bogdanovs
updating sadly brings home the fact that humanity is no wiser today
than it was half a millennium ago.
The sudden death of the king, Hamlets father, has brought Hamlet
home from his studies in a German university. Like any decent human
being hes upset and bewildered. His fathers brother has
jumped into bed with his mother, bringing to an end one of those marriages
that had three people in it, and made himself king, Shakespeare never
explores why the rightful heir was deprived of inheritance! To add to
the lads confusion, his father, in ghostly form, appears and informs
Hamlet that Claudius, his uncle, has murdered his father. You bet hes
mad! Wouldnt you be angry in those circumstances.
Wayne Caters performance as Hamlet grows as the play progress
until he reaches moments of superb and splendid acting; his character
draws little sympathy from us but the clarity of the production and
his line of expression leave us in no doubt as to the terrible angst
he has to endure. The quality of the acting is a strong feature of this
production and gives the audience that magic thrill that is in all good
theatre. Kathryn Dimerys Queen is a truly magnificent performance:
she creates a complete and compelling Gertrude; the hey-day in her blood
will take a long time to tame.
Ophelia is delicately and beautifully played by Catrin Rhys, getting
even better in her madness scenes. Here is the one character
in the production we can shed a tear for. On the face of it Ryland Teifis
feisty Laertes is a good guy who might sort things out but he is corrupted
by the scheming Claudius. Whilst Julian Lewis Jones towers broodingly
over everyone, his delivery lacks a touch of clarity and he should listen
carefully to Hamlets speech to the player. Owen Garmon so cleverly
reveals Polonius as a benign reactionary that his death, accidentally
from the gun of Hamlet, almost pleases us.
It is a long play but for most of the time it speeds along. As is often
the case much of the early discourse between Rosencrantz and Guildenstern
is cut,but nevertheless the characterisations from Ieuan Rhys and Dyfrig
Morris have that unique and unusual quality that is a major characteristic
of this very successful production.
The play can be seen at Theatr Bryncheiniog, Brecon
17 19 November and The North Wales Theatre Llandudno 21
24 November.
This review first appeared on the Theatre in Wales
website.
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