Mythos: Ragnarök


Mythological Theatre
Assembly Roxy

Mythos: Ragnarök
Mythos: Ragnarök
Mythos: Ragnarök

In 1926, Bertolt Brecht published an article suggesting that theatre should be more like sporting events. Well, it’s taken the best part of a century, but Mythological Theatre hase done just that with Mythos: Ragnarök, which tells the story of Odin’s rise from the slaughter of Ymir the sacred cow that allowed for the creation of Midgard (the world of humans) to the battle that will see the end of the world at Ragnarök.

This epic tale of warring families and powerful beasts is perfectly complemented by the medium of full-contact wrestling. The cast comprises incredible athletes and their bouts are convincing and fun entertainment in an hour and ten minutes of non-stop action.

Led by company director Ed Gamester (Odin), Mythological Theatre aims to develop the talents of professional wrestlers to provide more work opportunities in theatre and film, while also raising the profile of the art form. I would say that Mythos: Ragnarök is still predominantly a wrestling show, lacking a range of theatrical devices in the service of storytelling. The performances are all incredible high energy, but the narrative is rarely treated as more than a segue between fights.

Therefore, if you are looking for a play with nuance, character development and pathos, perhaps this is one to avoid. However, if like me, you grew up watching Hulk Hogan, The Ultimate Warrior and The Undertaker duking it out in a Royal Rumble—this show is an absolute must!

Reviewer: Tony Trigwell-Jones

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