The West End comedy Jeeves and Wooster in Perfect Nonsense featuring Robert Webb as Bertie Wooster and Christopher Ryan as Seppings visits Birmingham REP from Monday until Saturday.
Tara Arts brings Indian movement and music to Shakespeare’s text with a contemporary take on Macbeth at Buxton Opera House on Tuesday.
Nottingham Lakeside Arts and Meeting Ground Theatre Company enter the experience of dementia care in Inside Out of Mind at Warwick Arts Centre, Coventry from Tuesday until Friday.
Vincent Dance Theatre’s 21 Years/21 Works, which celebrates “21 years of bold, ambitious and uncompromising performance practice”, is at Warwick Arts Centre, Coventry with Look At Me Now, Mummy, Glasshouse and Archive and Engagement Space from Tuesday until Friday.
Jodie Prenger takes the title role in the Watermill Theatre production of the musical Calamity Jane which tours to the Regent Theatre, Stoke from Tuesday until Saturday.
Buxton Opera House Young Company takes part in the National Theatre Connections Festival and makes its debut in the Pavilion Arts Centre, Buxton with Cush Jumbo’s The Accordion Shop from Tuesday until Saturday.
Birmingham Hippodrome welcomes back the musical Top Hat from Tuesday until Saturday 21 March.
Claudia Morris appears in Secret Love, a musical celebrating the life and career of Doris Day, at Newark Palace Theatre on Wednesday.
Strictly Come Dancing’s Brendan Cole promises A Night to Remember at Northampton’s Derngate on Wednesday.
Nottdance, an international festival of dance and performance, continues in Nottingham this week with Marie Fitzpatrick’s Three Ones, which “delves into ideas of space, time and memory spanning the physical and the imagined”, in the Royal Concert Hall on Wednesday; a double bill of Inside Opulence by Jack Webb and Pilgrim by Lucy Suggate in Nottingham Contemporary, also on Wednesday; Canadian Katie Ward’s Infinity Doughnut, “an imaginative exploration of inanimate and of human phenomena”, at Nottingham Contemporary on Thursday; Wendy Houston’s Stupid Women at Lakeside Arts on Friday; and American Boy by Hetain Patel which “delves into American movie and home-grown TV culture”, at Lakeside Arts on Sunday.
An Extraordinary Light by Rob Johnston, a one-woman show depicting the life and work of scientist Rosalind Franklin, who played a significant role in the discovery of the structure of DNA, shines at the Old Library Theatre, Mansfield on Thursday.
“The nation’s favourite rock ‘n’ roll variety show” That’ll Be the Day returns to Mansfield Palace Theatre on Thursday.
The “all-singing, all-dancing stage extravaganza” Back to Broadway goes back to Buxton Opera House on Thursday.
Opera and Ballet International presents an Ellen Kent production featuring Korean soprano Elena Dee, Madama Butterfly, at Derngate, Northampton on Thursday.
Written and performed by John Stenhouse, Altamont, the story of how the peace-and-love ethos of the ‘60s was shattered at a tragic Rolling Stones concert, is Upstairs at the Western, Leicester on Saturday.
Katherina Radeva and Alister Lownie have a difficult story to tell and “attempt to put into words the utterly unspeakable” in both English and Bulgarian in Two Destination Language’s Near Gone in the Foyle Studio at mac, Birmingham on Saturday.
Rebecca Ryan continues in Mike Kenny’s adaptation of Siobhan Dowd’s novel Solace of the Road at Derby Theatre until Saturday.
At the Royal Shakespeare Company in Stratford, in the Royal Shakespeare Theatre Love’s Labour’s Lost and Love’s Labour’s Won (Much Ado About Nothing) both continue until Saturday.
Penelope RETOLD, “an irreverent collision of classic myth, The Odyssey and contemporary rage”, written and performed by Caroline Horton, is a Derby Theatre production which plays in the theatre’s Studio on Saturday and Monday 16 March before a national tour.
Dancers Anton and Erin proclaim That’s Entertainment at the Royal Concert Hall, Nottingham on Sunday.
Buxton Opera House celebrates the music of Frankie Valli and the Four Seasons in Let’s Hang On on Sunday.
A new version of Bram Stoker’s Dracula, adapted by Theresa Heskins, the artistic director of Newcastle-under-Lyme’s New Vic, continues in the Staffordshire theatre-in-the-round until Saturday 28 March.
The Secret Diary of Adrian Mole Aged 13¾—The Musical continues at Leicester’s Curve Theatre until Saturday 4 April (press night Tuesday 17 March).