Peter Lathan

North east editor


Peter Lathan's first experience of theatre was at the age of twelve when he played Marion in Sean O'Casey's Cock-a-Doodle Dandy, a school production in an all-boys school.

Since then he has been deeply involved in all aspects of theatre. He directed his first production (a Chekhov one-acter, The Anniversary) while at university in 1966 and, as a playwright, his first play to be performed professionally (The Passion, a version of the medieval Mystery Plays) was produced in 1975.

He has directed more than 70 productions with school and youth groups and professional companies. Since the turn of the century most of his directing work has been with KG Productions, a company he founded in 1999. Work with KG has included Theatre in Education, corporate productions, new writing (the company commissioned, produced and toured novelist Chaz Brenchley's first play A Cold Coming) and touring pantos. In 2009 he was invited by the Customs House, South Shields, to direct an open-air, site-specific version of The Tempest, the first in an annual summer Shakespeare in the Park event using an ensemble of some of the region's leading professional actors and in 2010 he directed Romeo and Juliet.

Most recently he has written and directed threel Customs House community plays which featured a large amateur cast and musicians and a professional creative/production team. He also devises and directs small-scale touring productions of themed Shakespeare compilations.

He has more written than 30 plays, including a full-length musical, a number of pantos, touring TIE shows and corporate work for a wide variety of clients. He was commissioned to write and direct The South Tyneside Story for the Millennium Dome. His plays have been produced throughout the UK, and in the US, Germany and India.

Other writing includes It's Behind You: The Story of Panto (New Holland Publishers 2003). Between 1968 and 1980 he was a regular contributor to The StageCabaret and Variety Revue and Musicians Only and had a two-year spell as theatre correspondent for BBC Radio Newcastle.

He has taught drama in schools and with youth theatres, and has also done drama work with recovering addicts, adults with severe learning disabilities and ran a two year drama course for adults under the auspices of a local Adult and Community Learning department.

He has served on arts-related council committees; has done PR, front of house management and lighting design for the St David's Arts Festival as well as having appeared there as an actor and director; has done a range of Drama workshops in primary and secondary schools and undertaken consultancy work, specifying equipment and design for school theatres and drama studios.

In recent years, under the auspices of South Tyneside Council he has run an introductory course for would-be playwrights.

In the 70s he was Chair of the board of management of the Wearabout Theatre Company, a professional company in Sunderland. From 2000 to 2009 he was a Trustee of the Customs House and from 2010 until 2017 was a Trustee of No Limits Theatre Company, a professional company for performers woth a learning disability.

From 1997 to 2001 he was employed by (New York) to run a web site on British Theatre and set up the British Theatre Guide in 2001. He stepped down as editor in January 2012 but cntinues to act as North East editor.

Latest reviews

No Dogs, No Indians,

No Dogs, No Indians

Siddhartha Bose (Penned in the Margins at Live Theatre, Newcastle).
Reviewer: Peter Lathan

Rehearsal photo: William Wyn Davies (Davy) and Harriet Ghost (Ma), Steve Conlan

The Filleting Machine

Tom Hadaway (Blowin’ a Hooley Theatre at The Low Lights Tavern, North Shields).
Reviewer: Peter Lathan

Gavan Ring as Ping, Joseph Shovelton as Pang and Nicholas Watts as Pong, Tristram Kenton


Music by Giacomo Puccini, libretto by Giuseppe Adami and Renato Simoni. Act III completed by Franco Alfano (Opera North at The Sage, Gateshead).
Reviewer: Peter Lathan

Gangsta Granny,

Gangsta Granny

David Walliams, adapted for the stage by Neal Foster (Birmingham Stage Company at Sunderland Empire).
Reviewer: Peter Lathan

Stephen Tompkinson, Dean Bone, John Bowler, Keith Pattison

The Red Lion

Patrick Marber (Live Theatre at Live Theatre, Newcastle).
Reviewer: Peter Lathan

Jessica Johnson (Rita) and Patrick Driver (Frank),

Educating Rita

Willy Russell (Gala Theatre at Gala Theatre, Durham).
Reviewer: Peter Lathan

"Oh what a circus" - Gian Marco Schiaretti, Pamela Raith


Lyrics by Tim Rice, music by Andrew Lloyd Webber (Bill Kenwright by special arrangement with The Really Useful Group at Sunderland Empire).
Reviewer: Peter Lathan

Hannah Goudie (Owl), Jeremy Bradfield (Narrator) and Bob Nicholson (Pussycat), Jonathan Ackley

The Owl and the Pussycat

Devised by the company, with dramaturgy by Laura Lindow, based on the poem by Edward Lear (Kitchen Zoo at Gala Theatre Studio, Durham).
Reviewer: Peter Lathan

Jacqueline Phillips,


Vici Wreford-Sinnott (Little Cog, Annabel Turpin and Cultural Shift at Stage 3, Northern Stage, Newcastle).
Reviewer: Peter Lathan



Giuseppe Verdi, libretto by Temistocle Solera (Ellen Kent and Opera and Ballet International at Sunderland Empire).
Reviewer: Peter Lathan