Philip Fisher

London Editor

[email protected]

Philip Fisher is the BTG's London editor and a member of the Critics' Circle Drama Section.

He started reviewing theatre at the Edinburgh Festival 2000. Since then, he has become a regular reviewer and writer on theatrical matters, primarily for the British Theatre Guide.

He has also worked on a freelance basis for a variety of other publications. He has also regularly contributed audio interviews to TheatreVOICE.

He has been published in a wide variety of other journals including the Western Mail, The Stage, The Jewish Chronicle and The Wisden Cricketer.

When not working as a theatre critic and commentator on a wide variety of issues for AccountingWEB, Philip spent 20 years as a tax Partner at various leading firms of accountants. In this guise, he has written numerous articles on taxation matters for a wide variety of publications including The Times as well as writing and contributing to several books.

He is now branching out into other areas of writing.

Reviews

Features

Matt Daines and Damian Williams in Cinderella

Can Culture Afford to Turn down a Sinister Prince Charming?

If the government and Arts Council England will not support the cultural sector, the alternatives might be even less palatable.
Protest outside English National Opera

The Future of Opera Lies in a Car Park

The chief executive of Arts Council England believes that opera should be relegated to car parks. Is he right?
English National Opera's Coliseum

The Arts Under Fire from Arts Council England

A recent round of funding from Arts Council England threatens the futures and jobs of many in the industry.
Le Malade Imaginaire

Remember COVID-19?

With COVID-19 making a comeback and flu also a concern, Philip Fisher wonders whether UK theatres should be trying harder.
Towards a Poor Theatre

Does the Future Lie in Poor Theatre?

Tough times lie ahead and Poor Theatre might offer the best way forward.
Lettuce

Proposal for an Epic New Play

Every critic yearns to write their own blockbuster. Could this be the one?
Simon Russell Beale and Zoë Wanamaker in Much Ado About Nothing

The Best UK Theatres

Philip Fisher tries to engender some controversy by picking his favourite UK theatres.
Metropolitan Opera House

The Best Theatre Outside the United Kingdom

In the first of a two-part feature, Philip Fisher nominates theatres that are the best of their type in assorted categories.
Kwasi Kwarteng

Is Crazy Kwasi’s Mad Budget Good for Theatres?

Philip Fisher tries to find some good news for theatres as the country plunges into another financial crisis.
Daniel Evans and Tamara Harvey

New Direction at the RSC

It is all change at the RSC as Daniel Evans and Tamara Harvey become Artistic Directors designate.

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