Philip Fisher is the BTG's London editor and a member of the Critics' Circle Drama Section.
He started reviewing theatre at the Edinburgh Festival 2000. Since then, he has become a regular reviewer and writer on theatrical matters, primarily for the British Theatre Guide.
He has also worked on a freelance basis for a variety of other publications. He has also regularly contributed audio interviews to TheatreVOICE.
He has been published in a wide variety of other journals including the Western Mail, The Stage, The Jewish Chronicle and The Wisden Cricketer.
When not working as a theatre critic and commentator on a wide variety of issues for AccountingWEB, Philip spent 20 years as a tax Partner at various leading firms of accountants. In this guise, he has written numerous articles on taxation matters for a wide variety of publications including The Times as well as writing and contributing to several books.
He is now branching out into other areas of writing.
My Name is Lucy Barton
London Theatre Company
Manhattan Theatre Club at Samuel J Friedman Theatre, New York
Halfway Bitches Go Straight To Heaven
LAByrinth Theater Company
Atlantic Theater Company Linda Gross Theater, New York
Irish Repertory Theatre
Francis J Greenburger Mainstage, Irish Repertory Theatre, New York
Dan Looney, Adam Paulden and Jason Haigh-Ellery for DLAP Entertainment, Sally...