Peter Lathan

North East Editor

Peter Lathan's first experience of theatre was at the age of 13 in 1956 when he played Marion in Sean O'Casey's Cock-a-Doodle Dandy, a school production in an all-boys school.

Since then, he has been deeply involved in all aspects of theatre. He directed his first production (a Chekhov one-acter, The Anniversary) while at university in 1966 and, as a playwright, his first play to be performed professionally (The Passion, a version of the medieval Mystery Plays) was produced in 1975.

He has directed more than 70 productions with school and youth groups and professional companies. Since the turn of the century most of his directing work has been with KG Productions, a company he founded in 1999. Work with KG has included theatre-in-education, corporate productions, new writing (the company commissioned, produced and toured novelist Chaz Brenchley's first play A Cold Coming) and touring pantos. In 2009, he was invited by the Customs House, South Shields to direct an open-air, site-specific version of The Tempest, the first in an annual summer Shakespeare in the Park event using an ensemble of some of the region's leading professional actors and in 2010 he directed Romeo and Juliet.

Most recently, he wrote and directed three Customs House community plays which featured a large amateur cast and musicians and a professional creative / production team. He also devised and directed small-scale touring productions of themed Shakespeare compilations.

He has written more than 30 plays, including a full-length musical, a number of pantos, touring TIE shows and corporate work for a wide variety of clients. He was commissioned to write and direct The South Tyneside Story for the Millennium Dome. His plays have been produced throughout the UK, and in the US, Germany and India.

Other writing includes It's Behind You: The Story of Panto (New Holland Publishers 2003). Between 1968 and 1980, he was a regular contributor to The Stage, Cabaret and Variety Revue and Musicians Only and had a two-year spell as theatre correspondent for BBC Radio Newcastle.

He taught drama in schools and with youth theatres, and has also done drama work with recovering addicts, adults with severe learning disabilities and run a two-year drama course for adults under the auspices of a local Adult and Community Learning department.

He has served on arts-related council committees; has done PR, front of house management and lighting design for the St David's Arts Festival as well as having appeared there as an actor and director; has done a range of drama workshops in primary and secondary schools and undertaken consultancy work, specifying equipment and design for school theatres and drama studios.

In recent years, under the auspices of South Tyneside Council, he ran an introductory course for would-be playwrights.

In 2016, he retired from directing but continued to write plays.

In the '70s, he was Chair of the board of management of the Wearabout Theatre Company, a professional company in Sunderland. From 2000 to 2009, he was a Trustee of the Customs House and from 2010 until 2017 was a Trustee of No Limits Theatre Company, a professional company for performers with a learning disability.

From 1997 to 2001, he was employed by about.com (New York) to run a web site on British Theatre and set up the British Theatre Guide in 2001. He stepped down as editor in January 2012 but continued to act as North East editor until his death on 9 April 2022.

Reviews

News

Features

Oliver Dowden

Saving panto? Huh!

While a small part of the theatre industry celebrates Operation Sleeping Beauty, Peter Lathan is far more cynical.
"Arctic Convoy" - the entire team: Helen Dobson (producer), Robbie Lee Hurst (actor, in costume), Viv Wiggins (actor, in costume), and me

Remembrance of Theatre Past 55–56: The End (Possibly)

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he describes how his career as an actor and director came to an end and thinks about what lies ahead.
"Drac!"

Remembrance of Theatre Past 52–54: School, the Internet and Another Book

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he deviates from his original plan and goes back to when he was teaching drama before looking at how the British Theatre Guide began and his book on panto.
Robbie Lee Hurst in "Arctic Convoy"

Remembrance of Theatre Past: 48–51: New Challenges

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he remembers some—for him—new and challenging theatre work.
Oliver Dowden, Secretary of State for Digital, Culture, Media and Sport

Who will survive?

Peter Lathan asks which theatres, apart from the “crown jewels”, will survive the effects of the pandemic.
"Adult Child Dead Child" performance in Germany

Remembrance of Theatre Past 45 – 47: Our Own Theatre Company

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he talks about KG Productions, the theatre company he founded.
The Mysteries: curtain Call in front of the Arbeia Roman Fort main gate

Remembrance of Theatre Past 42—44: Big Shows, Big Casts

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he talks about working with community casts on a series of large-scale shows.
To Wit: To Woo - Rachel Teate and Alex Kinsey reprise their roles in Romeo and Juliet (rehearsal pic)

Remembrance of theatre past 39–41: Oh, How I Missed Shakespeare!

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he looks back at the Shakespeare withdrawal symptoms he experienced after The Bard in the Park was cancelled.
The Rye Hill home of the People's Theatre, Newcastle, in the 50s

Remembrance of Theatre Past 34–38: Shakespeare and Me

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he traces his love of Shakespeare right back to its beginnings in 1959 and its culmination 50 years later.
The Sage, Gateshead

Remembrance of Theatre Past 32–33: How Long to Write a Play?

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. In this section he talks about two plays at the beginning of his second freelance career, after retiring from teaching drama.

*Some links, including Amazon, Stageplays.com, Bookshop.org, ATG Tickets, LOVEtheatre, BTG Tickets, Ticketmaster, The Ticket Factory, LW Theatres and QuayTickets, are affiliate links for which BTG may earn a small fee at no extra cost to the purchaser.

Are you sure?