Peter Lathan

North East Editor

Peter Lathan's first experience of theatre was at the age of 13 in 1956 when he played Marion in Sean O'Casey's Cock-a-Doodle Dandy, a school production in an all-boys school.

Since then, he has been deeply involved in all aspects of theatre. He directed his first production (a Chekhov one-acter, The Anniversary) while at university in 1966 and, as a playwright, his first play to be performed professionally (The Passion, a version of the medieval Mystery Plays) was produced in 1975.

He has directed more than 70 productions with school and youth groups and professional companies. Since the turn of the century most of his directing work has been with KG Productions, a company he founded in 1999. Work with KG has included theatre-in-education, corporate productions, new writing (the company commissioned, produced and toured novelist Chaz Brenchley's first play A Cold Coming) and touring pantos. In 2009, he was invited by the Customs House, South Shields to direct an open-air, site-specific version of The Tempest, the first in an annual summer Shakespeare in the Park event using an ensemble of some of the region's leading professional actors and in 2010 he directed Romeo and Juliet.

Most recently, he wrote and directed three Customs House community plays which featured a large amateur cast and musicians and a professional creative / production team. He also devised and directed small-scale touring productions of themed Shakespeare compilations.

He has written more than 30 plays, including a full-length musical, a number of pantos, touring TIE shows and corporate work for a wide variety of clients. He was commissioned to write and direct The South Tyneside Story for the Millennium Dome. His plays have been produced throughout the UK, and in the US, Germany and India.

Other writing includes It's Behind You: The Story of Panto (New Holland Publishers 2003). Between 1968 and 1980, he was a regular contributor to The Stage, Cabaret and Variety Revue and Musicians Only and had a two-year spell as theatre correspondent for BBC Radio Newcastle.

He taught drama in schools and with youth theatres, and has also done drama work with recovering addicts, adults with severe learning disabilities and run a two-year drama course for adults under the auspices of a local Adult and Community Learning department.

He has served on arts-related council committees; has done PR, front of house management and lighting design for the St David's Arts Festival as well as having appeared there as an actor and director; has done a range of drama workshops in primary and secondary schools and undertaken consultancy work, specifying equipment and design for school theatres and drama studios.

In recent years, under the auspices of South Tyneside Council, he ran an introductory course for would-be playwrights.

In 2016, he retired from directing but continued to write plays.

In the '70s, he was Chair of the board of management of the Wearabout Theatre Company, a professional company in Sunderland. From 2000 to 2009, he was a Trustee of the Customs House and from 2010 until 2017 was a Trustee of No Limits Theatre Company, a professional company for performers with a learning disability.

From 1997 to 2001, he was employed by about.com (New York) to run a web site on British Theatre and set up the British Theatre Guide in 2001. He stepped down as editor in January 2012 but continued to act as North East editor until his death on 9 April 2022.

Reviews

News

Features

The Weebles

Remembrance of Theatre Past 29–31: The Weebles, The Dome and the Big River

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he remembers some of the major projects he was involved in as a drama teacher.
The glamorous side of touring panto: Princess Jasmine (Christina Berriman Dawson) shifting the Aladdin scenery

Remembrance of Theatre Past 28: Touring Panto

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he turns his attention touring panto around the North East.
The ghost light still burning at Northern Stage, Newcastle

Cinema but not theatre. Why?

Peter Lathan considers why theatres are not allowed to open when cinemas can.
St Peter's Church, Sunderland

Remembrance of Theatre Past 26–27: Management

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he looks back at getting involved in management (something that still send shivers down his spine), including two council committees.
Equity

What about the actors?

As ever, it’s the actors and other freelance workers who are forgotten in troubled times for theatres.
Spike Rawlings (publicity pic)

Remembrance of Theatre Past 23–25: variety, the working men's clubs & Tommy Cooper

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. Here he talks about his involvement in variety and the working men’s club scene, including an encounter with Tommy Cooper.
Chris Carrell in the Ceolfrith Arts Centre in 1971

Remembrance of Theatre Past (18–22): Ceolfrith Arts Centre

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. This instalment goes back to the late sixties / early seventies and Sunderland’s Ceolfrith Arts Centre and his own "Annus Mirabilis"!
Alphabetti Theatre interior

Support your local theatres—please

Amid all the concern for the dangers to West End theatres and the major national companies brought about by the coronavirus pandemic, Peter Lathan makes a plea that local theatre throughout the UK should not be forgotten.
Anton Lesser in Julius Caesar

Remembrance of Theatre Past (15–17): More on the Tynewear Theatre Company

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. This instalment looks at his time with the Tynewear Theatre Company at Newcastle Playhouse and Newcastle Theatre Royal and how it came to an end.
Kevin Whately in Lewis

Remembrance of Theatre Past (12–14): Tynewear Theatre Co

Peter Lathan looks back at a career in theatre which stretches back to the 1960s. This instalment looks at his time with the Tynewear Theatre Company at Newcastle Playhouse.

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